Blood Curse The Springtime of Commissario Ricciardi (Audible Audio Edition) Maurizio de Giovanni Grover Gardner Inc Blackstone Audio Books
Download As PDF : Blood Curse The Springtime of Commissario Ricciardi (Audible Audio Edition) Maurizio de Giovanni Grover Gardner Inc Blackstone Audio Books
Ricciardi has visions. He sees and hears the final seconds in the lives of victims of violent deaths. It is both a gift and a curse. It has helped him become one of the most acute and successful homicide detectives in the Naples police force. But all that horror and suffering has hollowed him out emotionally He drinks and doesn't sleep. Other than his loyal partner, Brigadier Maione, he has no friends.
Naples,1931. In a working-class apartment in the Sanita neighborhood, an elderly woman by the name of Carmela Calise has been beaten to death. When Ricciardi and Maione arrive at the scene, they start asking the neighbors questions. No one wants to talk, but slowly a few interesting facts slip out. Carmela Calise was moonlighting as a fortune-teller and moneylender. In her decrepit apartment, she would receive clients - among them some of the city's rich and powerful - predicting their futures in such a way as to manipulate and deceive. If economic ruin lurked in their futures, Calise was happy to help - for a price,of course. She had many enemies those indebted to her, manipulated by her lies, disappointed by her prophesies, or destroyed by her machinations. Murder suspects in this atmospheric thriller abound, and Commissario Ricciardi, one of the most original and intriguing investigators in contemporary crime fiction, will have his work cut out for him.
Blood Curse The Springtime of Commissario Ricciardi (Audible Audio Edition) Maurizio de Giovanni Grover Gardner Inc Blackstone Audio Books
A little better than the first volume in the Commissario Ricciardi series, but not gripping. We find out more about the commissario's experience of seeing the dead (but only those who did not die naturally). His strange love affair with the woman across the street whom he has never met takes a new turn, and Ricciardi is sought after by a femme fatale from the first novel.The characters sometimes seem as if they had been lifted from a Chandler novel and been transmuted to Italy--bizarre. They don't really develop, they just acqulre strange new features. (Ricciardi is constantly described as friendless but his brigadier, the medical examiner, the priest, his Tata Rosa, Livia, and the lady across the street all adore him.) The plot in this one is more complicated and subtle than first appears, but I wouldn't particularly recommend this series. The only reason to read more would be to find out what happens to the young lady across the street, and to the medical examiner, who is all too plainly marked for a negative encounter with Mussolini's partisans.
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Blood Curse The Springtime of Commissario Ricciardi (Audible Audio Edition) Maurizio de Giovanni Grover Gardner Inc Blackstone Audio Books Reviews
To classify this book a noir detective story is doing a great disservice to Maurizio de Giovanni. It is much more than that. Yes, it is a story about a killing of a fortune teller, the hatred of a manipulative actor, a savage disfigurement of "the most beautiful woman in Naples," the jealousies and obsessions that are an undergrowth of the city, the loves and fascinations of Commissario Ricciardi and Brigadier Maione, and assorted other characters.
A synopsis of this book would not only be pointless but self-defeating. This is a superb detective mystery story but also a deep and incisive discussion about fate and blood ties. Quintessentially Neopolitian in its outlook, and conceits, it is also a stylistic tour de force. Few books of this genre have the intensity, which grows from the first to last page. The vortex is the book, its characters, its story. The reader is swept into the vortex from the first page and the deeper he goes into the book, the tighter his attention is held and the faster his imagination is stimulated. It is hypnotic to the end and after.
The two undercurrent leitmotifs of this book are fate or destiny and the haunting speculation about blood ties, read family, job, marriage, love. There are no cliches here the author has thought out his questions and answers, if there are any answers. "Fate doesn't preordain it has no will of its own. There is no such thing as fate." so thinks Ricciardi. Yet his blood ties and Maione's blood ties are powerful influences.
So, if you enjoy, the supernatural, political commentary, "who dun its", sociological, cultural and philosophical musings, this is definitely for you.
The only complaint that I have, and its is a small one, is that in some sections of this e-book, there is no break within the chapters at some point, so that the reader may go to the next paragraph and not realize that there is a separate section starting within the chapter. A small quibble considering how powerful is this book.
So, enter the vortex for a worthwhile trip and hold your breath.
This is the second of the Commissario Ricciardi novels I've read, and I've thoroughly enjoyed both. The Commissario, born to a wealthy family, has no compelling need to work, but has chosen his career path for various reasons, i.e. he is a good detective, and he has no taste for the gentrified lifestyle. He is somewhat of an enigma. He lives a somewhat lonely and sheltered life, and fills that void with his devotion to his career. He is young, handsome, very intelligent, empathetic, and has no want of beautiful young women pining for his attention, but shuns them all. His one "phantom" love is the young Ericka, who lives directly across the street from his apartment, and whom he longingly watches each night through the window as she accomplishes her routine nightly rituals and habits. This is not a peeping tom situation - Erika knows he is watching, enjoys it, but it never extends beyond her knitting, reading, or other mundane activities. She is also shy, and not from a well-to-do family, but dreams of being with Ricciardi, and he in turn has dreams of being with her as well. But the one oddity in the book is that Ricciardi, for unexplained reasons, is simply unable to even have a conversation with her. Here is a man that is intimidated by no one, not even his superiors, yet in the two novels when he actually, by happenstance, comes into contact with Erika, he literally cannot even speak. Perhaps this dilemma will be worked out in future novels, but it leaves the reader somewhat wanting both of them to get what they both need and deserve - each other. Anyway, this is a complicated case (as was the first novel I read), with multiple suspects in the brutal murder of a locally popular psychic/fortune teller, who also happened to be a loanshark. Ricciardi's ubiquitous sidekick, Brigadier Maione, is a unformed officer with a wife and family who serves several purposes. One, he is devoted to and in awe of the Commissario, who admittedly solves crimes with regularity. Second, he is the opposite of Ricciardi's demeanor; big, loud, blustery, and threatening (but with a heart of gold). Third, he has a tenuous family situation which is woven into the stories. He loves his wife and children, who in turn love him, but as with many married couples the years have brought them to 'leading separate lives in the same house," and both of them have thoughts about the other being attracted to someone else, etc. But these are side episodes to the main storyline and always end well. Finally, Ricciardi has a unique talent, which he terms 'the Deed." He has the ability to go to a murder scene and actually hear and see the dying moments and thoughts of the dying or dead person. This quality never actually solves the crimes, but it does give him insight that often results in him pursuing other suspects even when the facts of the case, as in this book, point clearly to the "wrong" suspect. What I like about the books is the characters and the storyline. These are not police procedurals. They focus as much or more on the lifestyle of both the principal characters and their daily routines and issues (e.g. "Ericka" and Maione's family), but they also fold in the lifestyle, routines, and character of the city life. But don't get me wrong, they are first and foremost detective novels, and it is interesting to see the array of suspects interrogated, investigated, clues accumulated, and ultimately the denouement where the real murderer is captured. A very pleasant and enjoying read, and I look forward to continue in this delightful series.
A little better than the first volume in the Commissario Ricciardi series, but not gripping. We find out more about the commissario's experience of seeing the dead (but only those who did not die naturally). His strange love affair with the woman across the street whom he has never met takes a new turn, and Ricciardi is sought after by a femme fatale from the first novel.
The characters sometimes seem as if they had been lifted from a Chandler novel and been transmuted to Italy--bizarre. They don't really develop, they just acqulre strange new features. (Ricciardi is constantly described as friendless but his brigadier, the medical examiner, the priest, his Tata Rosa, Livia, and the lady across the street all adore him.) The plot in this one is more complicated and subtle than first appears, but I wouldn't particularly recommend this series. The only reason to read more would be to find out what happens to the young lady across the street, and to the medical examiner, who is all too plainly marked for a negative encounter with Mussolini's partisans.
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